A Consolidated Library of Anglo-Saxon Poetry

Line Structure Pattern Search (Latin)

Line Structure patterns





Caesura codes

In general, give the number of the foot in which the caesura occurs, using m to denote a masculine caesura at the end of the first long syllable of the foot, f to denote a feminine caesura at the end of the first short syllable of the dactyl in the foot, and d when the caesura occurs at the end of the foot. Some examples:

Frāt́ rĭbŭs ǣ́tērnǣ́ | crēscā́nt | āugmḗntă sălūt́ is 3m 4m
Ṓmnĭbŭs, ī́n | māgnā́ | Chrīstṓ | fămŭlā́ntĭbŭs ū́rbe, 2m 3m 4m
Nṓmĭnĕ quǣ́ | prŏprĭṓ | Wīntōnĭă | dīć ĭtŭr, ḗt quæ 2m 3m 4d
Quā́m pĭŭs ī́llĕ | pătēŕ | sānctī́ssĭmŭs | āt́ quĕ măgī́ster 2f 3m 4d
Cṓnlūstrā́t | tūrrīt́ ă | sŭṓs | hīnc | ī́ndĕ cŏlṓnos, 2m 3f 4m 4d
Ī́nstĭtŭī́t, | tōtṓ | Bĕnĕdī́ctŭs | ĭn | ōŕ bĕ cŏrūś cans. 2m 3m 4f 4d

Elision codes

ssmooth (elision of short vowel)
mmiddle (elision of vowel + m)
hharsh (elision of long vowel or diphthong)

Golden and near-golden line codes

In general, use upper-case for nouns and lower-case for the corresponding adjectives, with V for finite verbs and v for present participles. Some examples:

Lū́cĭdă stḗllĭgĕrī́ | quī cṓndīs | cūĺ mĭnă cǣ́li, abVAB
Mā́xĭmă mī́llēnī́s | āuscū́ltāns | ṓrgănă flā́bris abvAB
Mūnĕrĕ quēm | dūplṓ | dītā́bīt | spīŕ ĭtŭs ā́lmus, AaVBb
Ā́rbĭtĕr ā́ltĭthrŏnū́s, | quī sḗruāt | scēṕ tră sŭpḗrnA, AaVBb
Ṓmnĭă sḗd | cūstṓs | dēfḗndăt | ŏuī́lĭă iā́m nunC. aBVA
Nṓbīs pā́upĕrĭbū́s | cōnfḗr | sūffrā́gĭă cḗrtA AaVBb
Cū́m sānctī́s | rĕquĭēm, | quōs lā́udō | uḗrsĭbŭs ī́stiC. aBVA
Pā́llĭdă nēć | lūnǣ́ | spērnū́ntūr | lū́mĭnă nōć tu, aBVAC
Ā́urĕă cǣ́lōrū́m | pĕnĕtrā́ntēm | cū́lmĭnă uāt́ em; aBvAC
Pā́llĭdă pū́rpŭrĕṓ | pīngī́s | quī | flōŕ ĕ uĭrḗcta; abVBA
Hiḗrĕmĭā́s | bīnṓ | pōllḗbāt | mū́nĕrĕ clā́rus, AbVBa
Spī́rĭtŭs ā́c | cāstǣ́ | cōniū́ngānt | fœ̄d́ ĕră cā́rnis, AbVCB
Nṓn tămĕn ǣ́tērnṓ | frāudā́ntūr | mū́nĕrĕ Chrī́sti, aVAB
Sic modo heroica stipulentur carmina laudem, aVBA
Tḗtrĭcă cōntēmnḗns | mīllḗnīs | dā́mnă pĕrīć lis. avbAB